Blog Directory

 

The blog entries below have been grouped by subject matter for easy reference. Where relevant they are listed chronologically, from earliest to most recent. In some cases, the Five Fundamental Principles being the most obvious, earlier philosophically conflicting entries have been retained to show the progression of thought. Please feel free to comment.


 



 
Q U I C K   R E F E R E N C E

Five Fundamental Principles
Logic Model
Money
Politics, Educational Policy and Advocacy
Concepts within Social Action through Music
“How to” Guides
Field or Event Reports and Profiles
Dr. Abreu
Professional Music Industry


 



 
F I V E   F U N D A M E N T A L   P R I N C I P L E S

Five Fundamental Principles of El Sistema published in Canadian Music Educator

en française 한국어

Avoiding Fundamental Principles

On the need for and challenges of Fundamental Principles

Introducing the Five Fundamental Principles

Introducing the Five Fundamental Principles, Part II

Putting the Fun in Fundamentals and the Intensity vs. Frequency trap

Why Passion isn’t a Fundamental and the No. 1 Danger of exportation

Should Classical Music be a Fundamental?

Who should make the rules?

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L O G I C   M O D E L

Logic Model for Social Action through Music

Logic Model Update Part 1

Logic Model Update Part 2

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M O N E Y

What does a Sistema program cost?

Why costs are variable and what elements should be essential?

Understanding Corporate Sponsorship vs. Corporate Philanthropy

Offsetting costs of instruments through microfinance

Charging children to participate – the arguments evaluated

Paying children to participate – the arguments evaluated

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P O L I T I C S,   E D U C A T I O N A L   P O L I C Y   A N D   A D V O C A C Y

Political advocacy

El SistemaPolitical Tool or Victim?

Why Data-based arguments for music are inherently flawed

The Economics of Education (“If you think education is expensive…”

El Sistema and Social Contract

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“H O W  T O”  G U I D E S

Hiring program faculty

Political advocacy

Finding your own role in the Sistema movement

Advice for those interested in applying for the Abreu/Sistema Fellowship at NEC

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F I E L D   O R   E V E N T   R E P O R T S  &  P R O F I L E S

Socially-oriented opera programs in Cape Town and Cleveland

Leading Note Foundation Conference in Ottawa, March 31 2012 – Report Part 1 with Gallery

Leading Note Foundation Conference in Ottawa, March 31 2012 – Report Part 2 with Video

Roberto Zambrano, Núcleo Director

London Philharmonic, United Kingdom

In Harmony Lambeth, United Kingdom

The Famous Acarigua Performance

London début of the Teresa Carreño Orchestra

Nucleo Neojiba in Brazil

Cape Festival, South Africa

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C O N C E P T S   I N   S O C I A L   A C T I O N   T H R O U G H   M U S I C

Why having everything isn’t necessarily a good thing

Tocar y luchar – revised

When “Luchar” has nothing to do with music

The importance of vertical social integration

The value of unstructured time

The real system behind el Sistema

Confronting the brutal facts

Special Education programs

Special Needs and Music Therapy – article publication announcement

Orchestral Choreography

How choreographed movement can create passion (and the Botox connection)

The Venezuelan flag jackets

NOT Chaos, Chaos THEORY. They’re different, folks.

Challenges in evaluation

Peer Instruction

Peer Instruction Part II

Is it Social Justice or Socialism? Neither.

Can Technology create meaning? Doubtful.

How important is the genre of music? (Zumix profile)

Advocacy – and Identity

The unclear connection between el Sistema and crime.

Technical proficiency vs. Musical literacy

Confidence

Confidence and Self-efficacy – part 2

El Sistema and Social Contract

How Sistema changes what it means to be a music educator in an unhappy world

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D R.   A B R E U

Thirty minutes with Maestro Abreu

What I said to Maestro the last time we met

Why our penchant for Maestro Abreu quotes may not be a good idea

Maestro Abreu’s organizational growth philosophy or decentralized management concept

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P R O F E S S I O N A L   M U S I C   I N D U S T R Y

My address to the board of NEC in November, 2009

Intransigence in the orchestra industry – in the face of disaster

Canadian Intransigence in the orchestra industry – in the face of disaster

How symphonies really function, economically speaking

El Sistema and broader advocacy

Using El Sistema values in the professional context

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