Orkidstra Ottawa announces Symposium and Simon Bolivar String Quartet Performance

the Orkidstra program will step into the limelight between March 30 and April 1st, as they co-host the Símon Bolívar String Quartet of Venezuela with the Ottawa Chamber Music Society for a symposium and performances.

Thirty Minutes with Maestro Abreu

“Teaching is not something hierarchical. It’s a pleasure. We consider ourselves privileged to be a teacher, especially because in Venezuela we didn’t have the profession of music teacher in the past. There’s a sense of pride to achieve through your students.”

Poison and Pedagogy – revisiting the purpose of movement in music education

There's a fundamental biological connection between external physicality and internal feeling, and what's more, the relationship isn't unidirectional. Further research into embodied cognition seems to indicate that thought or emotion motivates physiological response - to the extent of effecting even how we sit in a chair - as much as the inverse.

The Morality of Pay-to-Play

There’s a lot of money in private music instruction. It’s one of the most stable and lucrative educational markets, and could present a very valuable income stream to Sistema programs while diminishing the “poor kids only” perception, promoting integration and mollifying sponsors too.

Top 10 of ’11

Here is something completely arbitrary, compiled in an utterly unscientifically manner bereft of statistical methodology or evaluative metrics. Ten thoughts from 2011, ten memories or developments or events or discoveries that I think might be worth mentioning

Posting 108 – in which a modest domestic dispute spills out into the blogosphere

Anybody who thinks I dwell in an ivory tower of music education, content to comment from afar, is sadly mistaken; as one of perhaps two Abreu Fellows who have at least one child, I’m aware how profoundly my daughter will be affected by all the choices my wife and I make for her.

The Morality of “Paid to Play”

We should pay children to read great literature. It has manifest educational and social benefits. It’s not a foreign idea to be immediately despised; it was hatched in America. It’s not socialist or morally objectionable; it’s just early exposure to capitalism in that it concretely rewards effort.

The Why of Sistema

The answer isn’t a Marxian redistribution of wealth, but improving and leveling educational quality. Not achieving equalization of educational outcomes, the unobtainable and highly socialist fantasy of No Child Left Behind, but ensuring equalization of educational opportunity - a process that demands equal access to music education.